![]() She enters his imaginary world easily, willingly engaging in his silly talk and fantastical claims about bananafish. More important, she seems to understand Seymour in a way that adults cannot. With Seymour, however, she speaks freely and randomly, and Seymour listens intently and responds in kind. ![]() Her mother misunderstands her chanting of Seymour Glass's name as the nonsense words "see more glass", which suggests that Sybil too, lives in a world were no one understands her. Young Sybil, like Seymour, is alone and misunderstood. How do these suggestions of a luxurious lifestyle demonstrate the divide between Muriel and Seymour? Give three examples that show the dramatic differences between Seymour and Muriel.Ĥ. Each time we see Muriel, she is luxuriating in wealth. Salinger is critiquing the shallowness of materialism through Muriel and her world of wealth. Give two examples from the text using direct quotations and explain which existentialist concept best describes Sybil or Seymour's beha vior.ģ. Children and their world seem to represent some of the most important aspects of existentialism. By speaking Sybil's language, Seymour may hope to reconnect to or return to a childlike, innocent state. Unlike Muriel, who is fixated on appearances and class, Sybil can communicate with Seymour in a way that calms him. Innocent and simple, they exist in a world that is free from adult suffering and greed. Scarred from his experiences in the war and suffering from psychological distress, Seymour finds refuge in children. Seymour hovers uncomfortably between the world of adult sexuality and world of childhood innocence. What existentialist concept in Seymour suffering from? Explain in your own words and use a direct quotation to support your reas oning.Ģ. He is pale whereas the other guests are tan, and antisocial whereas the others enjoy mingling at cocktail parties and dinners. Intelligent but psychologically damaged from the war, he has lost his footing in accepted adult society and renounces this society in favor of poverty, music, and children. D.1.Seymour is an unashamed outsider among his wife, his wife's family, the guests at the Florida resort, and society in general. Salinger's A Perfect Day for Bananafish, themes of J. Salinger's A Perfect Day for Bananafish, summary of J. Salinger's A Perfect Day for Bananafish, structure of J. Salinger's A Perfect Day for Bananafish, plot of J. Salinger's A Perfect Day for Bananafish themes, Literary Criticism, notes of J. Salinger's A Perfect Day for Bananafish summary, J. Salinger's A Perfect Day for Bananafish structure, J. Salinger's A Perfect Day for Bananafish plot, J. Salinger's A Perfect Day for Bananafish guide, J. Salinger's A Perfect Day for Bananafish essays, J. Salinger's A Perfect Day for Bananafish appreciation, J. Salinger's A Perfect Day for Bananafish analysis, J. Salinger's A Perfect Day for Bananafish, J. Salinger's A Perfect Day for Bananafish, guide of J. Salinger's A Perfect Day for Bananafish, essays of J. ![]() Salinger's A Perfect Day for Bananafish, criticism of J. Tags: American Literature, Analysis of J. The story implies that the reader should doubt Muriel’s assertion.Īnalysis of John Updike’s The Persistence of Desire › It is implied that the war, World War II, has set Seymour on edge, although Muriel reassures her mother that he is fine. The first section of the story revolves around Muriel and her mother’s conversation, with elliptical references to German books, the war, and Muriel’s terribly pale husband, Seymour, who has yet to enter the story. Salinger spends little time describing a particular scene, preferring to let the character’s words set the pace as well as the mood of a work. Salinger’s work, dialogue between characters moves the plot forward the speech is sufficiently vague to leave the reader interested in what the characters refer to but never explain. Salinger’s A Perfect Day for Bananafishįirst published in the New Yorker on January 31, 1948, and later the first story in the 1953 collection Nine Stories, “ A Perfect Day for Bananafish” begins with Muriel Glass sitting in a Florida hotel room fielding a telephone call from her overconcerned mother.
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